top of page

The Wannsee Wedding

 

One act (approximately 50 minutes). 5M, 2F (flexible).

The Wannsee Wedding is a light, romantic fantasia about the double suicide of Heinrich von Kleist and Henriette Vogel in 1811. The opening inquest, a parody of Prussian efficiency, gives way to flashbacks in which Henriette's husband, Friedrich Vogel, attempts to understand the bond forming between his wife and the doomed author and, in retrospect, what led them to die together.

Characters:

FRIEDRICH VOGEL

HEINRICH VON KLEIST

HENRIETTE VOGEL

ERNST PEGUILHEN

HIRED GIRL

PROSECUTOR

DOCTOR

FORENSIC SURGEON (optional)

SAMPLE SCENE:

        (KLEIST and HENRIETTE kneel and silently pray.

 

        VOGEL enters and watches from a distance.)

 

VOGEL

Oh, I see. My wife, having taken heavily to religion in her illness, has merely found a convert. I must admit that the way Heinrich went after Martin Luther in that story of his makes his conversion puzzling to me. But he is, after all, a puzzling individual. And he has seemed so unhappy lately that I suppose it would only be natural that he should seek comfort.

 

What was I so worried about? There is an understanding between my wife and I that governs our every action. Why, we hardly need to speak at all, so strong is our faith in each other.

 

        (He starts to exit again.

 

        KLEIST and HENRIETTE rise.)

 

HENRIETTE

Friedrich.

 

VOGEL

Yes, dear?

 

HENRIETTE

Heinrich and I have decided to take a short journey together.

 

VOGEL

Oh?  And where to?

 

        (LIGHTS SHIFT.

 

        KLEIST and HENRIETTE face each other.)

 

KLEIST

Over the edge of the highest precipice we can find!

 

HENRIETTE

Into the waiting arms of our Redeemer!

 

        (LIGHTS SHIFT again.

 

        KLEIST, HENRIETTE and VOGEL, as before.)

 

VOGEL

Potsdam.  How nice.  Visiting someone?

 

HENRIETTE

Well, no.

 

VOGEL

Just getting out of town, then?

 

KLEIST

There’s an inn we’ve heard recommended.

 

VOGEL

By the lake?

 

KLEIST

A short distance.

 

VOGEL

It’s cold this time of year.

 

HENRIETTE

We’ll dress warmly.

 

KLEIST

I had better go and pack.

 

HENRIETTE

You’ll hire the coach?

 

KLEIST

Within the hour.

 

        (He kisses her hand, bows to VOGEL, and exits.)

 

VOGEL

Well!  An excursion!  This is sudden.

 

HENRIETTE

I suppose we might have told you sooner.

 

VOGEL

You’ve told me now.

 

HENRIETTE

If you have any objection, Friedrich...

 

VOGEL

Why should I?

 

        (Pause.)

 

How long will you be away?

 

HENRIETTE

We’re...not sure.

 

VOGEL

Several days?

 

HENRIETTE

Perhaps.

 

VOGEL

Longer?

 

HENRIETTE

Perhaps.

 

VOGEL

I see.

 

Are you sure you’re in condition to handle such a trip? Have you spoken with the Doctor?

 

HENRIETTE

Yes.  He feels the air will do me good.

 

VOGEL

Well, I won’t argue with the Doctor. Perhaps the air will do you good.

 

HENRIETTE

I hope it will.

 

VOGEL

So do I.  So do I.

 

As a matter of fact, Henriette...

 

HENRIETTE

Yes?

 

VOGEL

No.  No.

 

HENRIETTE

What is it, Friedrich?

 

VOGEL

Well, I was wondering...suppose, Henriette, that I were to cancel my appointments and come along? Oh, of course it would interfere with my schedule, but that is unimportant. After all...well, we both know, don’t we, that we don’t have much time left, you and I...

 

HENRIETTE

Yes.  No.

 

VOGEL

And the three of us, together...well, we’d have a pleasant time, no doubt...in the country...do us all good...nice to get away...in pleasant company...with two people for whom I care a great deal...it would give me great pleasure.

 

        (HENRIETTE hesitates, unsure of what to do; then gives

        VOGEL a peck on the cheek.)

 

HENRIETTE

You’d be bored, my dear Friedrich.

 

VOGEL (Pained:)

.. .No. I wouldn’t be. Not at all. I would be happy. I would be more than happy.  I would be. I am sure. I am certain. Unless...

 

Unless there is some reason, some reason why you and Heinrich would rather not have me, why the two of you would rather go alone. If there is some reason, Henriette, I would gladly hear it, I would gladly listen, perhaps I would gladly stay behind, if there is some reason...

 

Is there?

 

IS THERE?

 

HENRIETTE

Friedrich...

 

        (VOGEL sits.)

 

VOGEL

You are already gone.

 

HENRIETTE

We will be together again.

 

VOGEL

In Heaven?

 

HENRIETTE

Yes.

 

VOGEL

So you keep saying.

 

HENRIETTE

It is true.

 

VOGEL

We’re not there yet.

 

Do you love him?  Is that it?  Because if you do, that would explain things.  Do you?

 

If you do, I will understand. No, I won’t understand, but I will TRY to understand...if you will only tell me.

 

HENRIETTE

Friedrich...if I told you, you would not understand.

 

VOGEL

Yes, I have said as much myself, haven’t I.

 

HENRIETTE

But you will understand. Before long.  I hope.  You will.  And then, Friedrich, you will forgive me.

 

VOGEL

Forgive you?  For what?

 

HENRIETTE

For what I am going to do.

 

        (Pause.)

 

VOGEL

Is that your answer?

 

HENRIETTE

I’m sorry, Friedrich.  That is the only answer I can give you, now.

 

        (She exits.

 

        Pause.)

 

VOGEL

Then what I have refused to believe was true, is true, isn’t it. But in a thousand years, I would never have thought that my wife...and Heinrich...

 

But Ernst was right. I should have seen it from the first. She’d been keeping him like a pet. And it was I in my kindness who allowed him to stay. I am to blame.

 

Certainly I can’t be angry with my wife. I am willing to ascribe this behavior to her condition. Truly, she has not been herself, lately. But what have I done, or not done, to bring this upon us? I have tried to keep her happy.  How have I failed?

 

        (KLEIST enters, carrying a valise. He sets it down

        and stands by it. He and VOGEL do not acknowledge

        each other.)

 

 

I cannot pretend to know what need Heinrich stirs in her. Much as I like him, he strikes me as terribly odd. Perhaps that is it. She has simply become as odd as he.

 

But why should that matter, after all?

 

        (HENRIETTE enters, carrying her basket. She sets it

        down and stands facing KLEIST. She and VOGEL do

        not acknowledge each other.)

 

If he can make her happy, why should I begrudge him his efforts, or my wife her happiness?  Isn’t that what I have wanted most for her?  Why should it matter how she finds it? And who am I to stand in her way?

 

True, I am her husband. And I am hurt. There is no use pretending that I am not hurt. But I do, after all, have a lifetime in which to get over it.

 

        (He rises.)

 

Yes.

 

        (He turns to face HENRIETTE and KLEIST.)

 

Henriette.  Heinrich.

 

HENRIETTE and KLEIST

Friedrich.

 

        (Pause.)

 

VOGEL

Fine weather for your trip!

 

HENRIETTE and KLEIST

Yes.

 

VOGEL

You must be in a hurry. I do not intend to delay your departure with quarreling or with indignation. For what good would either do any of us at this point? What is done, is done. I merely intend to give you, for what it is worth...my blessing.

 

        (He joins their hands.)

 

HENRIETTE

Friedrich...

 

VOGEL

Heinrich, I bear you no ill will.  If I have lost her, I was going to lose her shortly, anyhow.

 

HENRIETTE

Friedrich, are you alright?

VOGEL

Of course I am alright.  I rejoice in your happiness.

 

KLEIST

Why, my dear Vogel. How kind you are, how infinitely kind and understanding. Rest assured, dear Vogel, that our every thought shall be with you, and that we both thank you from the very depths of our hearts.

 

        (VOGEL turns away and sits.)

 

VOGEL

Oh, it’s nothing.

 

KLEIST

Nothing! It is everything! It is so beautiful, my dear Vogel, that it almost makes me want to live!

 

        (Pause.  VOGEL looks up.)

 

HENRIETTE

That is...it would, were Heinrich not alive already.

 

VOGEL

Ah.

 

        (LIGHTS OUT.

 

        Music.

 

        LIGHTS UP.

 

        The PROSECUTOR enters with a Bible.

 

        PEGUILHEN enters and stands next to KLEIST.

 

        VOGEL steps forward with HENRIETTE.)

 

PROSECUTOR

Before God and the assembled company...

 

HENRIETTE and KLEIST

We do.

 

        (The PROSECUTOR signals to PEGUILHEN, who

        produces the pistol.

 

        The PROSECUTOR holds the pistol between HENRIETTE

        and KLEIST, like a sacred object.

 

        KLEIST takes the pistol. He and HENRIETTE kiss.

        HENRIETTE picks up her basket and holds it open.

        KLEIST places the pistol inside and takes up his valise.

 

        KLEIST and HENRIETTE dash off together, as

        PEGUILHEN tosses a handful of confetti.

 

        PEGUILHEN and the PROSECUTOR exit.

 

        VOGEL is left alone.)

home poems stories plays about

bottom of page