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LYSISTRATA NOW

 

Full length, flexible cast; 4M 6F in original production. Multiple, simple settings.

Lysistrata Now is an adaptation of Aristophanes' timeless anti-war sex comedy, trading the Athens/Sparta dispute for the modern day east/west conflict and updating the jokes with modern cultural references.

 

Characters:

LYSISTRATA

KALONIKE

MYRRHINE

LAMPITO

GRAMPS

GRANNY

COMMISSIONER

ELIA

WATCH

KINESIAS

SIMON

AMBASSADOR

CHORUS of old men/women (the original production used a single chorus, each actor dressed and wigged male on the left side, female on the right.)


SAMPLE SCENE

CHORUS in the middle, GRAMPS facing GRANNY.

CHORUS keeps rhythm, turning left and right (male and female).

(NOTE: the original production also used a human beat box.)

 

GRAMPS

I tell ya, this is an outrage, especially at your age

You crazy old biddies should be locked in a birdcage

Better disengage, get your butts offstage

Or you’re gonna see your names on the obituary page

You’re idiotic, despotic, not very erotic

And you’re carryin’ on like a raving psychotic

You’re at large, you’re in charge, everything’s chaotic

I’d say your behavior’s unpatriotic

 

CHORUS (M)

Tell ‘em, brother, give ‘em hell

Get ‘em outta the Citadel

 

GRANNY

Don’t you try and imply with that in-sinuation

That we women ain’t got no love for our nation

Whaddaya guess would possess us to raise an altercation

If we weren’t dedicated to the pacification

Of the land, every man, woman, child livin’ in it

It’s a far better thing that we’re doin’ this minute

Than you men ever done, no matter how you spin it

And the best is the rest, you’ve only seen us begin it

 

CHORUS (W)

Give ‘em the truth, girl, make ‘em see

Shock ‘em outta their complacen-cy

 

GRAMPS

Women on the uprise shouldn’t be a sur-prise

Got a feelin we guys mighta been unwise

Listenin’ to their sighs and lookin’ at their thighs

‘Stead of checkin’ out the devious look in their eyes

The new feminini-ty, it’s just tyranny to me

It’s an abnormality to which I never will agree

‘Cause a man’s gotta be what a man’s gotta be

We stand up when we pee, we’re sons of liberty

 

CHORUS (M)

Get back the power

Get back the power

Get back the power

Get back the power

 

GRANNY

You’re stupefactin’, overreactin’,

Lookin back on when your whip was still crackin’

Now your lips are smackin’ over what you’re lackin’

We ladies pushed you out and now you wanna get back in

In the war of the sexes, I tell ya what’s next is

A well-aimed kick at your solar plexus

Better not vex us, we’ve got witches’ hexes

That’ll hit you like Katrina hit the man from Texas

 

CHORUS (W)

Get used to it

Get used to it

Get used to it

Get used to it

 

GRAMPS

Hey there Granny, you can kiss my fanny,

Your resemblance to a female dog is uncanny

Don’tcha know if ya show disrespect to a man he

Might make things get kinda Afghanistan-y

Tryin’ to be a contender but you’re just a pretender

You old hags and bags ain’t no credit to your gender

So you’d better surrender, get off your bender

Or we’ll make you look like frogs in a blender

 

CHORUS (M)

You heard it, girls, now hear us shout

Give in, give up, get down, get out

 

GRANNY

Boys will be boys, with their military toys,

No matter how old, they always make the same noise

It annoys and destroys, and we hate to be killjoys

But we do see through the ploys of your envoys

Who tell us to give up, desist, not resist

And promise us nothing but a slap on the wrist

Understand this: you won’t be so much as kissed

Til you promise forever that you won’t re-enlist

 

CHORUS (W)

No more war

That’s all we’re doin’ this for

No more war

That’s all we’re doin’ this for

No more war

That’s all we’re doin’ this for

No more war

That’s all we’re doin’ this for

 

(CHORUS, as women, drive GRAMPS out.

 

GRANNY turns toward LYSISTRATA.)

 

GRANNY

But what be illin’ you... I mean, what ails thee, august and mighty leader amongst women? You look down in the mouth.

 

LYSISTRATA

We’re a bunch of idiots, we women. It must be hormonal.

 

GRANNY

What’s the problem?

 

LYSISTRATA

We’ve had no trouble taking and defending the Citadel. We made the Commissioner bow to our demands. We’ve got our men right where we want them, home on leave, so we can really apply the pressure. Now we have to face the real enemy: ourselves. And we’re losing.

 

GRANNY

Lysistrata, please tell me what’s gone wrong. Perhaps the wisdom of my age may be of use in these difficulties.

 

LYSISTRATA

It’s a delicate matter.

 

GRANNY

I’ll be discrete.

 

LYSISTRATA

We’re all desperate to get laid.

 

GRANNY

It’s only natural, Lysistrata.

 

LYSISTRATA

Somehow I thought we’d all be strong enough to resist. If we can’t, we give up our most potent weapon. But I can’t control the others anymore. One look at their men out there and they go wild, looking for the nearest exit. One of them was tunneling under the wall with a spatula. Another was rappelling down the wall with tied-together satin sheets. Two more were going to hang glide with a contraption they put together with tanning mirrors. They were only foiled when the wind shifted and blew them back in. The rest of them are all coming up with excuses... Here comes another one. Just listen.

 

(ELIA hurries by LYSISTRATA, who grabs her and stops her.)

 

Where do you think you’re going, Elia?

 

ELIA

I...have to go home. I think I left the iron plugged in.

 

LYSISTRATA

I do that myself, all the time. Then I get home and find out I did unplug it, and I feel like an idiot.

 

ELIA

But I’m sure, I’m absolutely positive I left it plugged in, and if the house burns down...

 

LYSISTRATA

What model is it?

 

ELIA

It’s a split-level ranch house with false brick siding...

 

LYSISTRATA

I mean the iron.

 

ELIA

Oh...it’s a Sunbeam 4500...you know, the ones with the Teflon-coated ceramic surface and automatic EZ-Steam function?

 

LYSISTRATA

I’ve got one of those myself.

 

ELIA

You do?

 

LYSISTRATA

They turn off automatically after fifteen minutes.

 

(Pause.)

 

ELIA

Did I say iron? I meant deep fat fryer.

 

LYSISTRATA

You’re on a low-cholesterol diet!

 

ELIA

Yes, but my husband...

 

LYSISTRATA

There’s something else you want to feed your husband, isn’t there.

 

ELIA

Lysistrata. Please. I can’t take it anymore.

 

(MYRRHINE enters, trying to pass LYSISTRATA.)

 

LYSISTRATA

Going somewhere, Myrrhine?

 

MYRRHINE

I have to feed my pussy… Cat! I forgot to feed her.

 

LYSISTRATA

The poor little thing. She must be starving.

 

MYRRHINE

Last time we left her behind, when we won that week at Club Med in Aruba, she cried so loud the neighbors heard and denounced us to PETA. We were getting angry letters from Paul McCartney. I swear, Lysistrata, I’ll be right back.

 

LYSISTRATA

Wait a second. Didn’t you tell me a few weeks ago that you got rid of your cat?

 

MYRRHINE

We got another one.

 

LYSISTRATA

Because your husband was allergic?

 

MYRRHINE

It’s one of those hairless ones? From Crete?

 

(Pause.)

 

Don’t believe me?

 

(LYSISTRATA shakes her head.)

 

Please, Lysistrata! This is torture!

 

(KALONIKE comes by, seemingly pregnant.)

 

LYSISTRATA

You too, Kalonike?

 

KALONIKE

I’m having contractions!

 

LYSISTRATA

You weren’t pregnant yesterday!

 

KALONIKE

The new maternity dresses hide it really well, don’t they!

 

LYSISTRATA

You don’t have to go anywhere.

 

(To GRANNY:)

 

You’re a midwife, aren’t you.

 

GRANNY

I’ve delivered nine hundred seventy five babies, including ninety six breach births and fifty one caesarians.

 

KALONIKE

Oh... The thing is... Our midwife... We’re doing the Lamaze method? With a pool? And she’s put speakers underwater so the first thing the baby hears will be the new Moby CD. Ooooh! I’ve got to hurry! The contractions are getting stronger!

 

LYSISTRATA

Here. I’ll help you with the delivery.

 

(She pulls the bundle out from under KALONIKE’s shirt. It’s a heart-shaped pillow.)

 

Congratulations.

 

KALONIKE

I’m sorry, Lysistrata. I’m at the end of my endurance!

 

LYSISTRATA

You think I’m not at the end of mine? We’ve got to be strong! We’ve got to be disciplined! How can we come this far and throw it all away for a piece of...

 

ELIA, MYRRHINE, KALONIKE

Easily!

 

(Pause.)

 

LYSISTRATA

I expected more of you. Maybe I was wrong. Go, then. I mean it. I’d rather have you go than listen to more of your lies and excuses. Go! Get out! What are you waiting for!

 

(Pause.)

 

MYRRHINE

We’re sorry.

 

(Sheepishly, ELIA, MYRRHINE and KALONIKE start to go.)

 

LYSISTRATA

Just, what am I going to tell Oprah?

 

(The WOMEN stop in their tracks.)

 

KALONIKE

Oprah?

 

LYSISTRATA

She’s coming this afternoon with a camera crew. We’re going to be live from the Citadel. She wants to interview as many of us as possible. I think she’s bringing Doctor Phil, too.

 

ELIA

Oprah?

 

LYSISTRATA

Oh well, you can watch it all from the comfort of your marriage beds.

 

MYRRHINE

Oprah?

 

ELIA

Where’s my blush?

 

KALONIKE

What’ll I wear?

 

MYRRHINE

Can you do my hair?

 

KALONIKE

We’re going to be on Oprah!

 

LYSISTRATA

Yes, and wait until your husbands see you. And hear you.

 

MYRRHINE

This is going to be fantastic!

 

LYSISTRATA

It will be. Unless you all go back on your oath when it’s over.

 

(Pause.)

 

KALONIKE

We won’t, Lysistrata.

 

LYSISTRATA

Promise?

 

ELIA, MYRRHINE, KALONIKE

We promise.

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