top of page

Children of Argos

 

(Full length, 3M 3F with doubling; otherwise 5M 5F. Flexible staging.)

 

Children of Argos is a modern, black comic retelling of the Electra story, blending the raw language of youth with pseudo-classical diction and exploring the question of what happens to children raised in an environment of violence. The first act takes us from Agamemnon's sacrifice of Iphigenia, through his return from Troy with the enslaved Cassandra, through their murders at the hands of Clytaemnestra and Aegisthus, as Electra and Orestes try to help each other retain their sanity or at least survive. But resistance leads to exile for Orestes and worse for Electra. The second act begins with Orestes' apparent death and Electra's arranged engagement to a saintly magnate. A surprise guest crashes the wedding and long-simmering drives return to the surface. "Will we be strong enough to kill?" "I've tried to be strong enough not to kill. I don't know which takes more strength."

 

Characters:

ELECTRA

ORESTES

IPHIGENIA

CLYTAEMNESTRA

AGAMEMNON

AEGISTHUS

CASSANDRA

PYLADES

ANDREAS KORIOTIS

EVANTHIA PAPANASTASSIOU


SAMPLE SCENE (from Act One):

(CASSANDRA comes running out of the house, screaming. She looks frantically around.)

 

ELECTRA

What’s with you?

 

(CASSANDRA takes hold of ELECTRA.)

 

CASSANDRA

You want to know the worst?

The worst is, when you’re most prepared to die

and see your death just moments away,

when you’ve talked yourself calmly

into quiet resignation,

suddenly the thing you think you’ve killed,

which is the urge to live,

leaps up within you

takes control

makes you run

from what you know

you can’t run from

and your stupid body obeys.

So here I am, running,

when I know I can’t run,

and I who know the future face my end

not with passive dignity

but with idiot panic.

 

ELECTRA

Who’s going to kill you?

 

CASSANDRA

Does it matter?

 

ELECTRA

Well, run then.

 

CASSANDRA

I can’t!

 

ELECTRA

Do you want me to hide you or something?

 

CASSANDRA

You still don’t get it. Nobody gets it.

 

ELECTRA

Sorry.

 

(CASSANDRA just stands there, unable to move.)

 

Well, since you know the future, who kills whom?

 

CASSANDRA

What’s the point of telling you?

You wouldn’t believe me,

and there’s no way to stop it, anyhow.

 

ELECTRA

Who said I wanted to stop it?

 

CASSANDRA

If you knew what it was, you might.

 

ELECTRA

But if I can’t, then what’s the difference? Come on, tell me. I’ll believe you.

 

CASSANDRA

I don’t need to tell you because it’s about to happen... NOW:

 

(AGAMEMNON screams offstage.

 

Long silence.)

 

ELECTRA

Dad?

 

CASSANDRA

Don’t you know your father’s voice?

 

ELECTRA

Dad.

 

CASSANDRA

In his bath.

 

ELECTRA

Who did it?

 

CASSANDRA

Both. And now your mother kills me.

 

ELECTRA

My mom?

 

CASSANDRA

Yes.

 

ELECTRA

She had a reason to kill Dad, but you?

 

CASSANDRA

She will.

 

ELECTRA

I doubt it.

 

CASSANDRA

I don’t. I know.

ELECTRA

Where?

 

CASSANDRA

In there.

 

(CASSANDRA starts to go.)

 

ELECTRA

You don’t have to go in there.

 

CASSANDRA

Yes I do.

 

ELECTRA

Why?

 

CASSANDRA

Because that’s where it happens.

 

ELECTRA

But if you’re not there it doesn’t happen.

 

CASSANDRA

But I am there. I have to be. I have foreseen it.

 

ELECTRA

But you’re out here.

 

CASSANDRA

I foresaw that I would be a coward and run.

I foresaw that we would have this talk.

I foresee that I will go back in and die.

 

(She turns to go.)

 

ELECTRA

Hey, wait. Don’t leave me here. I just lost my dad, okay?

 

CASSANDRA

I lost more than that..

My brother Hector, dragged behind Achilles’ chariot

until his body was a bloody rag.

My father struck down in mourning for him,

my nephew tossed alive from the highest tower,

his bones crushed by the stones below,

my sister sacrificed on Achilles’ grave.

The knife plunged into her pounding heart.

When I die

all that will be left of us

will be my mother, Hecuba,

enslaved and mad with grief

and denied the peace of death.

 

ELECTRA

Don’t get me wrong. My father got what he deserved. Achilles, too. I’m glad that fucker’s dead.

 

CASSANDRA

I know he was the bait

that lured your sister to her death.

 

ELECTRA

Do you have to let them kill you, too?

 

CASSANDRA

I have no choice.

 

ELECTRA

You do. We can escape together. Live as sisters. Find some peace for ourselves. Make our own future. Come with me. Live.

 

CASSANDRA

I can’t.

 

ELECTRA

You mean you won’t.

 

CASSANDRA

I mean I can’t.

 

(ELECTRA sits and sulks.)

 

You will survive all this.

 

ELECTRA

I’m not sure I want to, but thanks all the same. Wish there was something I could do for you.

 

(Pause.)

 

CASSANDRA

There is. I have foreseen it.

 

ELECTRA

What.

 

CASSANDRA

You hold me.

 

ELECTRA

I hold you.

 

(She does.)

 

CASSANDRA

You stroke my hair.

 

ELECTRA

I stroke your hair.

 

(She does.)

 

CASSANDRA

And you tell me –

 

ELECTRA

In a few moments there will be no more future.

 

(CASSANDRA rises, kisses ELECTRA on the forehead and goes calmly into the house.)

 

For you. But for me?

 

(She closes her eyes and sings, faster than before.)

 

Close your eyes

All will disappear

Close your eyes

Fly away from here

Fly away

All is in the past

Fly away

You are safe at last

 

(She opens her eyes.)

 

You couldn’t really kill her, could you, Mom?

 

(Offstage, CASSANDRA screams.

Long silence.)

 

I guess you could.

 

(Doors open. CLYTAEMNESTRA and AEGISTHUS appear, standing over the bodies of AGAMEMNON and CASSANDRA.)

 

AEGISTHUS

Citizens of Argos!

Your king and his whore are dead!

Tremble and kneel before your new king!

 

ELECTRA (to herself)

And his whore.

 

CLYTAEMNESTRA

Electra.

 

ELECTRA

Yes, Mom?

 

CLYTAEMNESTRA

Why don’t you come up here with us?

You’re part of the family, too.

 

ELECTRA

Mom...that’s my dad up there.

 

CLYTAEMNESTRA

The least you could do would be

to kneel where you are as a sign of respect

to your new king and new father

and my soon-to-be husband.

 

ELECTRA

What if I don’t respect him?

 

AEGISTHUS

You will learn to respect me.

 

ELECTRA

Who’s talking to you?

AEGISTHUS

Kill her!

 

ELECTRA

Oh, look, he likes the taste of blood and doesn’t want to stop.

 

AEGISTHUS

I said...

 

CLYTAEMNESTRA

Dear...that won’t be necessary.

I know how to handle my daughter.

 

ELECTRA

You can’t kill me anyhow. She told me I’d survive.

 

(CLYTAEMNESTRA goes to her.)

 

CLYTAEMNESTRA

Now, Electra.

I know how much your father meant to you.

 

ELECTRA

He didn’t mean anything to me.

 

CLYTAEMNESTRA

To speak thus of the dead!

 

ELECTRA

You’re the ones who butchered him. Where’s the respect in that?

 

CLYTAEMNESTRA

He died a warrior’s death.

 

ELECTRA

Oh, right. In a fucking bathtub.

 

CLYTAEMNESTRA

Who told you that?

 

ELECTRA

Mom...I just know.

 

AEGISTHUS

The slave must have told her.

Maybe she could see the future.

 

What did she tell you about me?

 

ELECTRA

That you’ll knock up your sister, and since she’s also your mother that’ll make you brother and uncle to your own son.

 

(AEGISTHUS raises his sword to strike ELECTRA. CLYTAEMNESTRA stops him.)

 

CLYTAEMNESTRA

Dear...

ELECTRA

You’re really going to marry this creep?

 

CLYTAEMNESTRA

The royal wedding will be celebrated

once we have observed a decent period of mourning.

 

ELECTRA

Congratulations.

 

(She leaves.)

 

AEGISTHUS

We can’t have these shows of disrespect.

 

CLYTAEMNESTRA

I know, dear.

 

AEGISTHUS

What will people think of me

if they see my own queen’s daughter

disparage me thus?

 

CLYTAEMNESTRA

Perhaps if she got to know you better

she might come around.

 

AEGISTHUS

It would be easier to kill her.

 

CLYTAEMNESTRA

She’s all I’ve got left,

what with Orestes banished.

 

AEGISTHUS

If it will please you, my sweet, I’ll spare her,

at least for now, and see if we can talk

some sense into her obstinate head.

Still, I feel the need to execute somebody,

if only to consecrate our power.

 

CLYTAEMNESTRA

Of course, dear. You need to inspire fear.

 

(She kisses him and exits.)

 

AEGISTHUS

Citizens of Argos!

I thought I told you to kneel and tremble!

Well, do it!

 

(Pause.)

 

That’s more like it.

 

(He exits. The doors shut, concealing the bodies. Empty stage. Silence.

 

ORESTES enters.)

 

ORESTES

Dear Electra. How are you? Life down here in Phocis is okay. King Strophius is very kind. He has an enormous palace and a stable full of fine horses he lets me ride. His son, Prince Pylades, is my best friend. He’s teaching me to drive a chariot. It’s fun. My tutor is a boring old man, but I’m learning some neat stuff. And you were right. I’ve calmed down a lot and see things much differently now. Ask Mom and Dad if you can visit.

 

(ELECTRA enters on the opposite side of the stage.)

 

ELECTRA

Dear Orestes. Do they keep you in the dark about everything down there? In case you haven’t heard, Mom and Aegisthus killed our father just after you left.

 

ORESTES

So it happened.

 

ELECTRA

And his poor slave, too. It’s too bad. I’d sure like to know a few things about the future now.

 

ORESTES

Dear Electra. The news about Dad has left me numb. Although I know they had their problems, something in me hoped Mom and Dad would somehow work things out.

 

ELECTRA

Dear Orestes. You know how things get worked out in our family.

home poems stories plays about

bottom of page