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Buttercup

 

Full length. Large, flexible cast (minimum 12 actors, with most playing multiple roles)

Buttercup is based on several celebrated child abuse investigations from around the United States and explores the toxic mixture of fear, hysteria, and media sensationalism that fueled them. The material is realiztic, but presented in the form of a cinematic extravaganza, juxtaposing intimate scenes with crowds, commotion, and media commentary. In the center of it all are a preschool teacher accused of unspeakable acts, two child psychologists charged with getting the truth from the presumed victims, and two parents whose marriage is threatened by the snowballing disaster instigated by a chance remark from their daughter.

Characters:

 

JASMINE 1

JASMINE 2

MIRIAM

CONNIE

JEFF

TRISH

TEDESCO

DOCTOR

TEACHERS

PUBLIC DEFENDER

PROSECUTOR

JUDGE

BAILIFF

APPELLATE JUDGE

MEDIA

POLICE

PARENTS

CHILDREN

 

With the exception of JASMINE 1, all children's roles are to be played by adult actors.  JAS­MINE 2 grows dur­ing the play from age four to sixteen.

 

This is an ensemble piece.  Most roles, with a few obvi­ous exceptions, should be multiply-cast, and actors may change roles abrupt­ly, mid-scene if need be.  Elaborate costume and makeup changes should not be neces­sary, as many of the charac­ters are meant to be simple and de­fined by their public functions.  In these cas­es, gender is also unim­portant.

SAMPLE SCENE(from Act Two):

JEFF

I don't think anything happened to her, Connie.

 

CONNIE

We have to believe her.

 

JEFF

You believe her when they make her say she was molested.  But you don't believe her when she says she wasn't.

 

CONNIE

They make her say the truth.

 

JEFF

She told me they made her lie.

 

CONNIE

Why would they do that?

 

JEFF

I don't know.

 

CONNIE

Why would they examine all those other children?  Why would they spend two years preparing a court case?

 

JEFF

Maybe it's too late for them to admit they were wrong.

 

CONNIE

I'm sorry, Jeff.  I just don't buy it.

 

JEFF

Everybody's so willing to buy what they say.  Without question.  It's as if everybody wants to believe it.

 

CONNIE

I don't want to believe it.  I have to.

 

JEFF

Why.

 

CONNIE

Because what if it's true?

 

JEFF

What if it's not?

 

CHILDREN

Buttercup!

 

I wanna be Miriam!

 

No, I wanna be Miriam!

 

That's not fair!

 

You were Miriam last time!

 

Okay, you be Miriam.

 

Okay, I'm Miriam.  If I catch you, you have to...PULL DOWN YOUR UNDERPANTS!

 

(The CHILDREN run around screaming

as "MISS WORTH" chases them.  Just as

one of the CHILDREN is about to be tagged...

 

LIGHTS UP on JUDGE.)

 

JUDGE

The case of the State versus Miriam Worth will come to order.

 

(The actors all suddenly revert to adulthood

and take on adult roles.)

 

Bailiff will read the indictment.

 

BAILIFF

The Grand Jury hereby sustains against Miriam Worth the following charges:  140 counts of sexual abuse of minors, 65 counts of lewd and indecent behavior, and 44 counts of public nudity.

 

MIRIAM

This has nothing to do with me.

 

MEDIA 1

Opening arguments were heard today...

 

MEDIA 2

...in the trial of Miriam Worth, the preschool teacher...

 

MEDIA 3

...accused of 140 counts of sexual abuse of children.

 

MIRIAM

I'm a painter.

 

PROSECUTOR

Ladies and gentlemen of the jury.  Some of the things you will hear will defy belief.  But we must be willing to face the unthinkable.  There is no other way to protect our children.

 

PUBLIC DEFENDER

Ladies and gentlemen of the jury.  Childhood sexual abuse exists.  It does happen.  But not like this.  It involves acts which, while unthinkable, are at least plausible.  It leaves physical evidence on its victims.  The perpetrator is more than likely a parent or family acquaintance.  Not a woman like Miriam Worth, whose love and concern for children is without equal.

 

PROSECUTOR

You will hear how she performed oral, anal and vaginal sex with several partners in front of the children, forcing them to watch.

 

PUBLIC DEFENDER

Prosecution has yet to name any of these several partners.

 

PROSECUTOR

She dismembered a baby in front of the children and threatened to do the same to them if they ever told anybody.

 

PUBLIC DEFENDER

No dismembered baby was found.  No baby was ever reported missing.  

 

PROSECUTOR

She smeared peanut butter, grape jelly and butterscotch onto the genitals of the children and licked it off.  She fed them her own urine, frozen on popsicle sticks.  She penetrated the boys anally, and the girls vaginally and anally, with wooden spoons, Barbie dolls, baseball bats...

 

PUBLIC DEFENDER

Impossible without visible injury, none of which has been found by the prosecution's own medical experts.

 

PROSECUTOR

...flashlights, bananas and dead hamsters, among other objects.  

 

PUBLIC DEFENDER

Police found the hamster in Miriam Worth's classroom, alive and well.

 

PROSECUTOR

She forced children to urinate and defecate into a saxophone while she played, naked and covered with chocolate syrup.

 

JEFF

One thing I just can't get around.  Who the hell would want to do that?

 

PUBLIC DEFENDER

There were other personnel in the building at all times.  None have testified to having ever heard a saxophone or seen Miriam Worth with any trace of chocolate syrup on her person.  Nor has any trace of any of these alleged acts been found in Miss Worth's classroom or in any other part of the Buttercup Preschool.

 

PROSECUTOR

You will hear from the children how they were taken into dark tunnels under the school...

 

PUBLIC DEFENDER

Six months of excavation revealed nothing more than a few shards of Indian pottery, now on display at the Historical Society.

 

PROSECUTOR

She has left these children with psychic wounds which will never heal.

 

PUBLIC DEFENDER

She has been slandered, her life and reputation destroyed, her dreams of a happy future thrown onto a bonfire of rumor and hysteria.  

 

JUDGE

Call the first witness.

 

PUBLIC DEFENDER

Your Honor, I move that the witnesses be made to testify here, in the presence of the court, and that defense be allowed to cross examine, as in any standard legal proceeding.

 

PROSECUTOR

Your Honor, these children have suffered enough.

 

PUBLIC DEFENDER

My client is being denied her constitutional right to face her accusers.

 

PROSECUTOR

Your Honor, Prosecution need only to refer to its expert witness, Dr. Hagan...

 

TRISH

Given the trauma these children have suffered, to force them once again into the same room with their assailant would be unthinkable and I have to say sadistic.

 

PUBLIC DEFENDER

Your Honor, I must insist.  In our legal system, a person accused of a crime has certain inalienable rights.  It is not within the jurisdiction of this court to decide whether or not to grant these rights.  These rights are sacred.

 

JUDGE

Defense is reminded that we're talking about children.

 

PUBLIC DEFENDER

Your Honor, these children are now six and seven years old.  By now, whatever alleged trauma they may have suffered has surely been alleviated under Dr. Hagan's supervision.

 

TRISH

It is true that some progress has been made toward recovery.  But this progress would be at risk if my patients were confronted again with their worst nightmare.

 

JUDGE

Court rules that the children be allowed to testify from my chambers via closed circuit video.

 

PUBLIC DEFENDER

And that cross-examination be carried out under the same conditions?

 

JUDGE

Dr. Hagan?

 

TRISH

These children are too young to fully understand the legal process.  To make them suffer the trauma of recounting the story twice...

 

PUBLIC DEFENDER

I get it.  I should just give up.

 

TRISH

...particularly as Defense would quite understandably present a less than sympathetic ear...

 

PUBLIC DEFENDER

Should I bother saying anything?

 

JUDGE

Defense will submit its questions to Prosecution, which will pose such questions to the juvenile witnesses.

 

PUBLIC DEFENDER

Suppose I wish to spontaneously develop a line of questioning.

 

JUDGE

In such an extraordinary case as this, we all have to make sacrifices.

 

(LIGHTS UP on JASMINE 2, JEFF, CONNIE.)

 

TRISH

Hello, Jasmine.

 

JASMINE 2

Hi.

 

TRISH

How's first grade?

 

JASMINE 2

It's boring.

 

TRISH

Jasmine, did you know that you are a very special kind of person?

 

JASMINE 2

What kind of person am I?

 

TRISH

You're a victim.

 

JASMINE 2

What's a victim?

 

TRISH

A victim is a person who has had something bad happen to them.

 

JASMINE 2

What happened to me that was bad?

 

TRISH

Do you remember what happened to you when you were a little girl?

 

(JASMINE 2 shakes her head.)

 

Well, something terrible happened to you.  You're all better now, and it will never happen again.  But I'm going to tell you about it, because your mommy and daddy want you to know.

 

(JEFF walks away.  CONNIE follows.)

 

CONNIE

What is it now?

 

JEFF

She's doing just fine.  She's got friends.  She's in the Brownies.  She's growing up like a normal girl, and along comes Dr. Hagan to tell her she was tortured and raped and...

 

CONNIE

Well, she was!

 

JEFF

Even if she was, why remind her of it now?

 

CONNIE

So she can testify in court.

 

JEFF

With someone else's words.  She doesn't remember any of it herself.  They might as well tell her she was kidnapped by a flying saucer.

 

JASMINE 2 (to TRISH)

That's gross!

 

TRISH

Well, it really happened.

 

            (Pause.)

 

JASMINE 2

But I don't remember it.

 

TRISH

Sometimes, when something bad happens to us, we don't want to remember it.  We make ourselves forget.  But it really happened.

 

JASMINE 2

I don't believe you.

 

TRISH

It's all true, Jasmine.

 

            (Pause.)

 

JASMINE 2

Why did she do it?

 

TRISH

Because she was a very bad lady.

 

JASMINE 2

Like a witch?

 

TRISH

Yes, Jasmine.  Exactly like a witch.

 

(JEFF goes back to TRISH and JASMINE 2.)

 

JEFF

Jasmine, go out and play, okay?

 

CONNIE

Jeff...

 

JEFF

Now!

 

(JASMINE 2 exits.)

 

You can say what you want, but Jasmine's not going to have any part in this.

 

CONNIE

That's not exactly for you to decide.

 

TRISH

Is there a problem?

 

JEFF

I want this whole business to be over, once and for all, now.

 

TRISH

We all do.  But it won't be over until...

 

JEFF

It's been over for Jasmine.  She's forgotten all about it.  I say we leave it that way.

 

TRISH

Someday she may remember on her own.

 

JEFF

If that happens, we'll call you.

 

TRISH

We happen to have a court case.  We need Jasmine's testimony.

 

JEFF

Leave her out of it.

 

(He exits.)

 

CONNIE

I'm sorry, Dr. Hagan.

 

TRISH

It's okay.  I think Jasmine's doing fine.  Frankly, it's your husband I'm worried about.

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